An analysis of the politics in the crucible a play by arthur miller

Anger and resentments boil and a target is sought. It is found as witchcraft phobia begins, splitting Salem into citizens using witch hunts for selfish gains and those wanting to cleanse society. They are attempting to use a love potion to attract village boys.

An analysis of the politics in the crucible a play by arthur miller

In casual encounters with the material universe, we rarely feel any difficulty here, since we usually deal with things that are clearly alive, such as a dog or a rattlesnake; or with things that are clearly nonalive, such as a brick or a typewriter.

Nevertheless, the task of defining "life" is both difficult and subtle; something that at once becomes evident if we stop to think. Consider a caterpillar crawling over a rock. The caterpillar is alive, but the rock is not; as you guess at once, since the caterpillar is moving and the rock is not.

Yet what if the caterpillar were crawling over the trunk of a tree? The trunk isn't moving, yet it is as alive as the caterpillar. Or what if a drop of water were trickling down the trunk of the tree? The water in motion would not be alive, but the motionless tree trunk would be.

It would be expecting much of anyone to guess that an oyster were alive if he came across one for the first time with a closed shell.

Could a glance at a clump of trees in midwinter, when all are standing leafless, easily distinguish those which are alive and will bear leaves in the spring from those which are dead and will not?

Is it easy to tell a live seed from a dead seed, or either from a grain of sand? For that matter, is it always easy to tell whether a man is merely unconscious or quite dead? Modern medical advances are making it a matter of importance to decide the moment of actual death, and that is not always easy.

Nevertheless, what we call "life" is sufficiently important to warrant an attempt at a definition. We can begin by listing some of the things that living things can do, and nonliving things cannot do, and see if we end up with a satisfactory distinction for this particular twofold division of the Universe.

A living thing shows the capacity for independent motion against a force. A drop of water trickles downward, but only because gravity is pulling at it; it isn't moving "of its own accord. Living things that seem to be motionless overall, nevertheless move in part. An oyster may lie attached to its rock all its adult life, but it can open and close its shell.

Furthermore, it sucks water into its organs and strains out food, so that there are parts of itself that move constantly. Plants, too, can move, turning their leaves to the sun, for instance; and there are continuous movements in the substance making it up.

A living thing can sense and it can respond adaptively. That is, it can become aware, somehow, of some alteration in its environment, and will then produce an alteration in itself that will allow it to continue to live as comfortably as possible. To give a simple example, you may see a rock coming toward you and will quickly duck to avoid a collision of the rock with your head.

Analogously, plants can sense the presence of light and water and can respond by extending roots toward the water and stems toward the light. Even very primitive life forms, too small to see with the unaided eye, can sense the presence of food or of danger; and can respond in such a way as to increase their chances of meeting the first and of avoiding the second.

The response may not be a successful one; you may not duck quickly enough to avoid the rockā€”but it is the attempt that counts.

A living thing metabolizes.

An analysis of the politics in the crucible a play by arthur miller

By this we mean that it can eventually convert material from its environment into its own substance. The material may not be fit for use to begin with, so it must be broken apart, moistened, or otherwise treated. It may have to be subjected to chemical change so that large and complex chemical units molecules are converted into smaller, simpler ones.

Anything which is left over, or not usable, is then eliminated. The different phases of this process are sometimes given separate names: A living thing grows. As a result of the metabolic process, it can convert more and more of its environment into itself, becoming larger as a result.

A living thing reproduces. It can, by a variety of methods, produce new living things like itself. Any object which possesses all these abilities would seem to be clearly alive; and any object which possesses none of them is clearly nonalive. Yet the situation is not at all clear-cut.

An adult human being no longer grows and many individuals never have children, but we still consider them alive even though they no longer grow and do not reproduce.

Well, growth takes place at some time in life and the capacity for reproduction is potentially there. A moth senses a flame and responds, but not adaptively; it flies into the flame and dies.

Ah, but the response is ordinarily adaptive, for it is toward the light. The open flame is an exceptional condition.Devil In The Dark () The Horta was an example of Silicon life.; Now we are really sailing off into terra incognito.

"Here be dragons" and all that. But if you have starships, you almost have to have aliens (Isaac Asimov's Foundation trilogy being the most notable exception).The "science" is called Astrobiology, the famous "science in search of a subject".

Clarke's Bookshop (established in ) is situated in Cape Town, South Africa and carries both new and second hand books on Southern Africa. Arthur Miller. Known for his political activism and his marriage to Marilyn Monroe, Arthur Miller was a powerful force in both American history and literature.

His work dominated the theater scene. Based on a screenplay by Arthur Miller from his play and film, this adaptation by Miller's son Bob focuses on the power of . The Crucible is a play by Arthur Miller that was published in It and Death of a Salesman are easily Miller's most well-known plays and are both regarded as some of the most classic plays of the 20th century..

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The play is a semi-fictionalized account of the Salem witch trials of in Massachusetts, although Miller takes real people and puts them alongside his own fictitious. Dear Twitpic Community - thank you for all the wonderful photos you have taken over the years. We have now placed Twitpic in an archived state.

* 17th Century New England *